Thursday, 2 January 2014
My 20 Favourite Films of 2013
20. All is Lost
19. American Hustle
18. Lootera
17. Gimme the Loot
16. Arbitrage
15. Lincoln
14. What Richard Did
13. Blackfish
12. Our Children
11. Cloud Atlas
10. Museum Hours
9. Like Someone in Love
8. Prince Avalanche
7. Gloria
6. The Great Beauty
5. We Steal Secrets: The Story of Wikileaks
4. Gravity
3. A Hijacking
2. NO
1. Before Midnight
My Least Favourite Films of 2013
10. One Direction: This is Us
9. Byzantium
8. Run for Your Wife
7. Hammer of the Gods
6. Identity Thief
5. Reality
4. Do Elephants Pray?
3. Diana
2. 12 in a Box
1. Les Misérables
Catch me if you Khan: "Dhoom:3"
Warning: this review contains spoilers.
The big Bollywood hit of 2013's festive season, Dhoom:3, forms a continuation of a franchise so drunk on the ideas of power and money circulating in certain American event movies that it could only ever end up travelling to the US itself sooner or later. 2004's Dhoom and 2006's Dhoom:2 were cat-and-mouse capers owing a debt to the emergent Ocean's and Fast & Furious series; their glamorous, globetrotting getaways were broken up with nightclub musical numbers and guest stars in the roles of the light-fingered mice preoccupying taciturn tough cop Jai Dixit (Abhishek Bachchan).
Dixit, a sort of Hindi Taggart, may be the dourest character ever to have had a successful movie franchise constructed around him: in deciding whom to root for, viewers presumably have to weigh clan loyalty for an actor who's barely allowed to crack a smile - and has to be livened up through being paired with a horny sidekick (Uday Chopra, scion of another hallowed Bollywood family) - against their fondness for those performers having flamboyant fun as antagonists who convention dictates probably won't be returning for the sequel.
The seven-year hiatus between instalments appears to have done the franchise some good. Vijay Krishna Acharya, who wrote the first two movies, has assumed the director's seat, inheriting what looks like a substantially increased budget while bringing a few new visual and narrative ideas of his own to play with. The timelag also allows Dhoom:3 to play on/exploit viewers' post-crash cynicism about the world of high finance: summoned from India to identify the culprit behind a spate of raids on one particular bank in Chicago, Dixit actually gets to tell a boardroom full of suits "you're bankers: everybody hates you."
That culprit is Samir (Aamir Khan, from Lagaan), conceived as both a gentleman thief (his bowler hat is a nice, Magritte-like touch, worthy of 1960s capers) and a very modern mastermind (several of his getaways involve a bike that - as per the Transformers films - somehow reconfigures into a powerboat without rusting up its gears). That we're meant to empathise with his efforts is evident from a prologue that establishes how the young Samir saw his father blow his brains out after a committee of stony-hearted penpushers foreclosed on the family's circus; this plucky underdog's training in magic and rope tricks also means he's well-schooled in the kind of misdirection and showmanship that make for satisfying movie heists.
Khan, a Cruise-like performer who seeks to compensate for his diminutive stature by trying really hard, lends the film a certain physical heft: he stomps through an introductory tap number, does an appreciable amount of his own stuntwork in the chase and circus scenes, and - after a pre-intermission twist - brings the same bulging-eyed commitment to a second role. Though hardly original, this twist is smartly wrought, and given some emotional layering immediately after the interval, but it's typical of how Dhoom:3 comes to be compromised by a thick streak of naivety (just as its American equivalents overdose on their own cynicism): the one US film you wish Acharya had taken on board is Tropic Thunder.
Implausibilities come to abound, some more forgivable than others. In 2013, a century on from The Perils of Pauline, there's something to be said in favour of any film that climaxes when the villain of the piece ties the hero to a rollercoaster's tracks. Yet we're simply meant to accept that the head of Chicago's intelligence unit (Tabrett Bethell) would sport the most extravagant blonde hair extensions ever seen outside of a Chingford beauty salon; similarly, that love interest Katrina Kaif wouldn't notice she's been dating two brothers, one of whom happens to have severe learning difficulties. Somewhere within this mission impossible, there's an episode of Derek waiting to escape, with all the ickiness that implies.
Still, if it ultimately resembles no more than a brain-in-neutral action movie conceived along unusually grandiose lines - and isn't immune to sequel bloat, stringing what should be twenty-minute set-pieces out for thirty, and thus clocking in closer to three hours than two - Acharya ensures the film makes generally diverting use of its time. The Chris Nolan-ish borrowings extend to the opening heist, which begins with a homeless man's change cup flooding with dollar bills, before pulling back to show Samir running vertically down the bank's facade, while subsequent set-pieces - Cirque du Soleil-inspired big top routines, Kaif's dazzling audition number, a final round of patrol car flipping - provide varied, screen-filling, generally enjoyable spectacle.
Dhoom:3 is in cinemas nationwide.
Friday, 27 December 2013
For what it's worth...
Top Ten Films at the UK Box Office
for the weekend of December 20-22, 2013: 1 (1) The Hobbit: The Desolation of Smaug (12A) **
2 (new) Anchorman 2: The Legend Continues (15) **
3 (2) Frozen (PG)
4 (new) Walking with Dinosaurs: The 3D Movie (PG)
5 (new) Dhoom 3 (12A) ***
6 (3) The Hunger Games: Catching Fire (12A) **
7 (new) The Harry Hill Movie (PG)
8 (new) Moshi Monsters: The Movie (U)
9 (4) Gravity (12A) *****
10 (5) Saving Mr. Banks (PG) ***
(source: Guardian.co.uk)
My top five:
1. All is Lost [above]
2. American Hustle
3. The Innocents
4. Cinema Paradiso
5. The Secret Life of Walter Mitty
Top Ten DVD rentals:
1 (new) Now You See Me (12A)
2 (1) Oblivion (12) *
3 (3) World War Z (12) **
4 (new) Monsters University (U) **
5 (2) Behind the Candelabra (15) ***
6 (new) Snitch (12) **
7 (5) Cloud Atlas (15) ****
8 (10) Hummingbird (15) **
9 (7) Trance (15) ***
10 (9) After Earth (12)
(source: lovefilm.com)
My top five:
1. Wolf Children
2. Leviathan
3. Upstream Colour
4. Pain & Gain
5. I Am Nasrine
Top five films on terrestrial TV this week:
1. Aliens (Thursday, C4, 10.50pm)
2. WALL-E (Monday, BBC1, 2.45pm)
3. Mary Poppins (Monday, BBC1, 4.15pm)
4. The Game (Monday, ITV1, 10.45pm)
5. The 'Burbs (New Year's Eve, ITV1, 1.05pm)
Thursday, 26 December 2013
"47 Ronin" (The Guardian 26/12/13)
47 Ronin (12A) 119 mins **
Hollywood’s latest play for
the growing Asian market revisits the ancient Japanese legend of
self-sacrifice, hoping to offset its garbled narrative and grinding
humourlessness with 3D and Keanu Reeves as a samurai Jesus. The VFX team have
some fun with Rinko Kikuchi’s shapeshifting witch, but otherwise this is a
terrible plod, hamstrung by rookie director Carl Rinsch’s inability to clearly
describe four ronin, let alone 47. The kind of globalised blandout initiated by
suits who understand algorithms and spreadsheets rather better than they do
specific cultures: for all the authentic Eastern flavour it imparts, Rinsch’s
film might have been shot around the Goole branch of Yo! Sushi.
47 Ronin opens in cinemas nationwide today.
Sunday, 22 December 2013
For your consideration: my Critics' Circle award votes
Best Actor
1. Tom Hanks, Captain Phillips
2. Paul Rudd, Prince Avalanche
3. Richard Gere, Arbitrage
4. Toni Servillo, The Great Beauty
5. Fabrice Luchini, In the House
Best Actress
1. Paulina Garcia, Gloria
2. Émilie Dequenne, Our Children
3. Julie Delpy, Before Midnight
5. Emma Thompson, Saving Mr. Banks
Best Supporting Actor
1. Søren Malling, A Hijacking
2. Barkhad Abdi, Captain Phillips
3. James Gandolfini, Enough Said
4. Emile Hirsch, Prince Avalanche
5. Matt Damon, Behind the Candelabra
Best Supporting Actress
1. Jennifer Lawrence, American Hustle
2. Doona Bae, Cloud Atlas
3. Rosario Dawson, Trance
4. Oprah Winfrey, The Butler
5. Brit Marling, Arbitrage
Best British Actor
1. James McAvoy, Welcome to the Punch, Trance and Filth
2. Steve Coogan, The Look of Love, Alan Partridge: Alpha Papa and Philomena
3. Jim Broadbent, Cloud Atlas and Le Week-end
4. Richard Dormer, Good Vibrations
5. Christian Bale, American Hustle
Best British Actress
1. Emma Thompson, Saving Mr. Banks
2. Judi Dench, Philomena
3. Lindsay Duncan, Le Week-end and Last Passenger
4. Antonia Campbell-Hughes, Kelly + Victor
5. Chloe Pirrie, Shell
Young British Performer
1. Conner Chapman, The Selfish Giant
2. Shaun Thomas, The Selfish Giant
3. Eloise Laurence, Broken
Best Director
1. Tobias Lindholm, A Hijacking
2. Alfonso Cuarón, Gravity
3. Alex Gibney, Mea Maxima Culpa, We Steal Secrets and The Armstrong Lie
4. David O. Russell, American Hustle
5. Lana and Andy Wachowski, Tom Tykwer, Cloud Atlas
Best Screenwriter
1. Julie Delpy, Richard Linklater and Ethan Hawke, Before Midnight
2. Tobias Lindholm, A Hijacking
3. Nicholas Jarecki, Arbitrage
4. Francois Ozon, In the House
5. Lana and Andy Wachowski, Tom Tykwer, Cloud Atlas
British Breakthrough Filmmaker
1. Kieran Evans, Kelly + Victor
2. Tina Gharavi, I Am Nasrine
3. Scott Graham, Shell
4. Jon S. Baird, Filth
5. Omid Nooshin, Last Passenger
My lists of the year's best 20 and worst 10 films will follow here next week.
Friday, 20 December 2013
For what it's worth...
Top Ten Films at the UK Box Office
for the weekend of December 13-15, 2013:
1 (new) The Hobbit: The Desolation of Smaug (12A) **
2 (1) Frozen (PG)
3 (2) The Hunger Games: Catching Fire (12A) **
4 (3) Gravity (12A) *****
5 (4) Saving Mr. Banks (PG) ***
6 (new) Falstaff - Met Opera Live (uncertificated)
7 (5) Homefront (15) ***
8 (6) Free Birds (U)
9 (8) The Butler (12A) ***
10 (7) Carrie (15) ***
(source: Guardian.co.uk)
My top five:
1. All is Lost
2. American Hustle
3. The Innocents
4. Cinema Paradiso
5. The Secret Life of Walter Mitty
Top Ten DVD rentals:
1 (new) Now You See Me (12A)
2 (1) Oblivion (12) *
3 (3) World War Z (12) **
4 (new) Monsters University (U) **
5 (2) Behind the Candelabra (15) ***
6 (new) Snitch (12) **
7 (5) Cloud Atlas (15) ****
8 (10) Hummingbird (15) **
9 (7) Trance (15) ***
10 (9) After Earth (12)
(source: lovefilm.com)
My top five:
1. Wolf Children
2. Leviathan
3. Pain & Gain
4. I Am Nasrine
5. Child's Pose
Top five films on terrestrial TV this week:
1. A Matter of Life and Death (Christmas Day, C4, 3.05am)
2. The Wizard of Oz (Boxing Day, five, 5.15pm)
3. It's a Wonderful Life [above] (Christmas Eve, C4, 1.10pm)
4. Meet Me in St. Louis (Boxing Day, five, 2.55pm)
5. Finding Nemo (Christmas Eve, BBC1, 5.55pm)
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