Friday, 26 October 2018

"Waiting for You" (Guardian 26/10/18)


Waiting for You **
Dir: Charles Garrad. With: Colin Morgan, Fanny Ardant, Audrey Bastien, Abdelkrim Bahloul. 92 mins. Cert: 12A

This Brit indie quickly meets the basic competency threshold that isn’t always a given at this budgetary level – it’s attractively shot, and far from badly played – but then never ventures beyond second gear. You wait for it to get good, gripping or perhaps great, and instead it remains stubbornly passable. The waiting isn’t unsuited to a slowburn mystery that opens with bookish student Paul (Colin Morgan) taking delivery of evidence that suggests his late Army father enjoyed a second life in southwestern France. It’s just there’s so much of it: once Paul reaches reclusive pianist Fanny Ardant’s hillside retreat, we’re waiting for doors to be unlocked, secrets to be uncovered, pennies to drop. It’s a film for those patient souls who actively enjoy spending time on hold.

We at least have time to admire the scenery – the excellent cinematographer David Raedeker (My Brother the Devil) gathering sights guaranteed to send viewers scrabbling to apply for the appropriate residency visa – and to enjoy the gradual détente in an entente less than cordiale. Morgan’s schoolboy French proves reliably charming, never more so than when set before Ardant’s sceptical-to-withering schoolmarm gaze. Still, it seems a needless delaying tactic that, rather than straightforwardly asking his host what went on back in the day, Paul should have to put on the big façade of an amateur property surveyor; he has to poke round the attic and get found out before the story can slope forwards.

Oddly, there is a pressing subtext buried in this script – about the British capacity to wreak havoc overseas – yet it’s timidly handled, and we spend so long literally going around the houses there’s scant time to consider it before the lights come up. That leaves us with undemanding matinee viewing for anyone who finds themselves with nowhere better to go, and one early spark of dialogue that seems, intentionally or otherwise, to intuit where we might be at this particular cultural moment. “Are you English?,” asks Sylvie (Audrey Bastien), the comely innkeeper’s daughter with whom we may well be waiting for the protagonist to pair up. After Paul replies in the affirmative, her response is quicker than anything else hereabouts: “Bad luck.”

Waiting for You opens in selected cinemas from today.

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