Whenever Clarke's around, Fisherman's Friends appears makeshift and shopworn, as if the actual American actor the producers were hoping to land had dropped out at the very last minute. Yet in the company of Purefoy, Mays and Middleton, Chris Foggin's film at least nudges upwards in the direction of likable, and Purefoy in particular offers a near-teachable demonstration of the jobbing British actor's lot, forced as he finds himself to insert passing nuance, tiny insinuations of pride and hurt, into the yawning blank spaces between obvious plot points. (This script, by the individuals responsible for Finding Your Feet and - gulp - St. Trinian's, has next to no interest in detail: by the conclusion, the Friends have landed themselves a Top 10 album without being seen to spend one minute in the recording studio.) All a bit white, male and heteronormative, but otherwise as unobjectionable as the Radio 2 playlist, as cosily familiar as a Bank Holiday ITV special: its predetermined uplift doubtless provided some consolation for those real-world Cornishmen who trashed their own fishing industry by voting for Brexit, and it remains a mildly warming pasty, stuffed full of meat and potatoes, corn and cheese, for the rest of us. Stay tuned for the Eamonn Holmes cameo.
Fisherman's Friends is available to rent via Prime Video and YouTube; a sequel, Fisherman's Friends: One and All, opens nationwide on Friday, and will be reviewed here in due course.
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