Searching
***
Dir: Aneesh Chaganty. With: John Cho, Debra Messing, Joseph
Lee, Michelle La. 102 mins. Cert: 12A
A lowish bar has been set, but this is the most carefully considered
entry in the laptop-based thriller cycle booted up by 2014’s Unfriended. Again, everything we see
unfolds as windows within Windows: its crafty opening montage – establishing
the idyllic day-to-day existence of one Asian-American family via uploaded selfies
– might have recalled a wildly sappy Microsoft ad were it not for the slow
reveal of one character’s cancer diagnosis. The screen becomes a site of
further tensions after college-age daughter Margot goes missing, leaving
devoted, straight-laced dad David (John Cho) home alone, poring over a trail of
pixelated breadcrumbs – Facebook photos, PayPal transactions, Pokémon webcasts
– in a bid to bring her home.
Former Google promo director Aneesh Chaganty complicates this cherchez la femme game with the fact
Margot’s curated online persona bears little resemblance to lived reality; as
the excellent tagline puts it, David can’t find out where she is until he finds
out who she is. Satnav trajectories, online news footage and (a cheat, this) security-cam
footage helps expand the film’s search parameters, and some nuance has been
found within the central, organising gimmick. It changes the meaning when David
replaces the exclamation mark at the end of one furious Messenger tirade with a
full stop, and it goes to character that dad should be running a PC, where his
offspring evidently preferred a Mac.
The film is a bit PC itself, operating somewhere between ploddingly dependable and frowningly conservative, pitching itself at technophobe parents who may themselves have asked David’s high court judge-like “What is a Tumblr?” (Those with fond memories of Cho’s participation in the Harold & Kumar comedies will instantly feel very old.) One limitation is visual: the clean lines of social media never really inspire much in the way of real cinematic dread. Chaganty’s tab-toggling is pacy enough, but he gets pedantic about tying up unfinished digital business, and Unfriended’s pulse-raising wildness is beyond him. Mostly, Searching holds the moderate, passive appeal of watching a competent player ace a round of Minesweeper, each click bringing us closer to the desired resolution.
Searching opens in cinemas nationwide tomorrow.
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