The Bad Education Movie **
Dir: Elliot Hegarty. With: Jack Whitehall, Iain Glen, Talulah Riley, Jeremy Irvine. 91 mins. Cert: 15
Dir: Elliot Hegarty. With: Jack Whitehall, Iain Glen, Talulah Riley, Jeremy Irvine. 91 mins. Cert: 15
The TV-derived
summertime special has again become a fixture of the British film industry, as
it was in the heyday of Please Sir!:
BBC Films’ The Bad Education Movie,
an end-of-term runout for Jack Whitehall’s delinquent teacher Alfie Wickers,
opens in roughly the same slot from which the Inbetweeners and Mrs. Brown’s Boys spin-offs profited in previous years. The numbers on those films amply
bear out the rationale that insists putting any cheap tat in enough cinemas
will turn a tidy profit; here, then, is one last jolly for Class K before they
collect their exam results, and Whitehall becomes a blip on the Hollywood
radar.
The school’s-out vibe
generates a truly obnoxious first half-hour: you sense Whitehall and co-writer
Freddy Syborn egging one another on to see who can scrape the bottom of the
barrel quickest and loudest. Mushrooms are unknowingly consumed at an Anne
Frank exhibit. The school hamster bounces into Joanna Scanlan’s nethers.
Wickers ingests a foreskin kept as a holy relic. Yes, it’s laser-guided at the
same gurgling demographic that would willingly endure a Snog, Marry, Avoid marathon, but even teenage boys might find the
desperation to shock a boner-killer: the film’s initial comic touch makes Seth
MacFarlane seem like Lubitsch.
With this opening
barrage out of its system, Bad settles
into its true rhythm; instead of egregiously bad jokes, we get potentially good
ones indifferently told. For starters, it’s sort of funny that austerity
measures mean this filmic subspecies must now travel to Cornwall, rather than
the exotic Costa Plonka. Series director Elliot Hegarty has modest fun within a
pub serving as a Cornish Liberation Army stronghold, where the ladies is a door
painted on a wall, and we get a Little
Britain-ish doodle of the Cornish gay scene: one middle-aged bloke called
Colin, who attempted to order a spritzer in 1984.
Even here, though,
there’s uncertainty as to whom the joke’s really on, and events descend into
the kind of clumsy farce (knives in hands, people on fire) that suggests nobody
present really had much idea how to build a scene. It is, likewise, a workable
idea to have Wickers and charges mistaken for a terrorist sleeper cell, but
having larded the soundtrack with Grimshaw-friendly grime, Hegarty hasn’t the
resources left to play it out: instead we’re given cop Clarke Peters looking
concerned in a school hall, and a last-reel runaround in a heritage centre that
yields hot-button references to Cheryl Cole and Braveheart.
Here, at least, the
film permits us some fresh air. Elsewhere, laughs are stifled by Hegarty’s TV
aesthetic, all static medium and close-up shots, chiefly of Whitehall’s
ever-harassed testes. Stretched this high and wide, the star’s posh-boy persona
can rarely have seemed so charmless; the film acknowledges as much in nudging
on Jeremy Irvine as a braying toff whose sole purpose is to make the goon-like
Wickers appear admirable. Maybe it’ll divert the target audience, as did happy
slapping and chlamydia before it – but The
Bad Education Movie hardly forms the most convincing rebuke to Tory
paranoia about BBC waste.
The Bad Education Movie is now showing in cinemas nationwide.
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