Saturday, 5 April 2025
On demand: "Deseret"
Friday, 4 April 2025
For what it's worth...
My top five:
1. Dahomey
"Four Mothers" (Little White Lies Apr/May 2025)
The story’s travelled from one traditionally Catholic realm to another, so the latent Madonna worship requires scant translation. But the Thorntons add a teaspoon of realism, the better to bolster Di Gregorio’s sunny fluff. For starters, their protagonist Edward (James McArdle) is a gay YA novelist, representing all those penniless creatives stranded on the housing ladder’s lower rungs. (One of the film’s truths: publishers’ advances aren’t what they used to be.) His status as a carer for his mute 81-year-old ma (Irish screen great Fionnula Flanagan) is threatening to derail a planned US promotional tour; those plans unravel completely after two pals and his therapist also dump their mothers (Dearbhla Molloy, Stella McCusker and Paddy Glynn) on him to attend Pride in Maspalomas.
The gag is that Edward’s so codependent he can’t say no, but this is also one of those contrivances a movie asks us to swallow so it can get everyone in the same place. Once they’re there, Four Mothers enters familiar territory, toggling between farce and something more sentimental, undercutting its comedy with cuddliness. Edward’s soon juggling the needs of four often withering matriarchs, the demands of an agent trying to toughen him up for America, and messages from those partying while he’s doing his filial duty. The conflict gets cranked up – unlike genial Gianni, Edward is a sometimes openly resentful sadsack – but only slightly. The Thorntons are too busy modernising the material, embracing those podcasts and mindfulness apps that weren’t quite a thing in 2008.
In places, Four Mothers skews broad: one joke involving the word “pouffe” is eminently guessable. Yet it’s modulated by the sweetness in these performances, and by McArdle in particular, soft, rueful and armed with the most thoughtful writing here. The mas prove less formidable than the Italian mammas, though there are nice moments for the silent Flanagan, acting with eyes and iPad alone, and for Molloy as the wearied Joan, whose karaoke go-to is Black’s “Wonderful Life”. The Thorntons never match that track’s wrenching, deep-seated melancholy; caressing the middle of the road in a mobility scooter, their film is the kind of jolly consolation our industries make because they can’t steel themselves to go as hard as Haneke’s Amour. A canny crowdpleaser, nevertheless: enough to distract anyone from the onward rush of time.
Enjoyment: Broadly likable, and the seasoned actors add a dash more pith and grit to what’s gone before 4
"Screamboat" (Guardian 04/04/25)
Wednesday, 2 April 2025
On demand: "Hôtel Terminus: The Life and Times of Klaus Barbie"
Tuesday, 1 April 2025
On demand: "Ariel"
Monday, 31 March 2025
On demand: "The Docks of New York"
Saturday, 29 March 2025
On TV: "Letter to Brezhnev"
Friday, 28 March 2025
For what it's worth...
My top five:
1. Dahomey
"The Woman in the Yard" (Guardian 28/03/25)
Thursday, 27 March 2025
Walk on the wild side: "Misericordia"
On demand: "Lucifer"
Sunday, 23 March 2025
A little Knight music: "Hans Zimmer & Friends: Diamond in the Desert"
Saturday, 22 March 2025
In memoriam: Émilie Dequenne (Telegraph 21/03/25)
She studied diction and elocution at the Académie de Musique in Baudour and attended the theatre workshop La Relève in Ladeuze, where she made her stage debut in a production Jean-Paul Alègre’s Comment le Grand Cirque Traviata se transforma en petit navire.
In December 2024, Dequenne gave her final interview to the TF1 show Sept à huit, where she reflected on the return of a cancer that had previously gone into remission, and her new, thirty-pills-a-day treatment: “Deep down, I know perfectly well that I will not live as long as expected… I am only 43 years old. I have always dreamed of living until at least eighty and then drifting off in my sleep. That is what I pray for.”
Friday, 21 March 2025
For what it's worth...
My top five:
1. Dahomey