Under Milk Wood **
Dir: Kevin Allen.
With: Rhys Ifans, Charlotte Church, Julian Lewis Jones, Lisa Palfrey. 87 mins.
Cert: 15
Is it significant
that, in Dylan Thomas’s centenary year, more effort has been made to dramatise
the life – A Poet in New York on TV, Set Fire to the Stars in cinemas – than
the work? On the plus side, Kevin Allen’s new take on Thomas’s great radio
fantasia of 1954 – emerging in simultaneously shot English- and Welsh-language
versions, with Charlotte Church singing torch songs as Llareggub’s town
sweetheart Polly Garter – proves more rooted in place, and less literal-minded
than its 1972 Burton-Taylor predecessor, a project born of a vanity denied the
begrimed, dishevelled character actors gathered here.
Still, it soon
becomes apparent Allen hasn’t the sweeping vision or budget to deliver anything
more than eccentric odds and ends. Only early on, with the trippy,
seaweed-strewn memories of Rhys Ifans’ Captain Cat, does it find anything like
a cinematic analogue to the text’s pagan strangeness; elsewhere, it assumes the
air of a strained community theatre project, nudging and winking its way around
anything remotely phallic. Decking out local battleaxe Mrs. Ogmore Pritchard
(Buddug Verona James) in S&M gear recalls Allen’s spirited work on 1997’s Twin Town and TV’s Benidorm, but also typifies the reduction of a lusty poetry to
baser, end-of-the-pier ribaldry.
Under Milk Wood opens in selected cinemas from today.
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