Last Passenger (15) 97 mins ***
The British action movie
remains a rare beast – understandably so, if you recall 1997’s Downtime, which attempted to emulate Die Hard in a tower block with an
asthmatic Paul McGann. The genre may get a boost from writer-director Omid
Nooshin’s enjoyably crafty, neo-Hitchcockian debut, set aboard a midnight
commuter train. Dougray Scott is the medic trying to return his son to Sevenoaks
when the guard disappears and the driver – whose death drive is left chillingly
motiveless – speeds through Tunbridge Wells, with no terminus in sight save,
perhaps, the English Channel. It takes a judicious while to introduce Scott’s
ambiguous fellow travellers, yet even when the pace accelerates, Nooshin holds
onto a strain of logic that doesn’t often survive at this level of filmmaking:
if you’ve ever wondered what goes on inside a driver’s cab, or glimpsed
something indecipherable through a rain-spattered carriage window, it should
just work.
Last Passenger opens in selected cinemas from today.
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